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Lector Ileso

Diario de entusiasmos literarios subjetivos sin rigor: críticas sin criterio de novelas, poemas, artículos, eventos,... Parole, parole, parole.

Categoría: Poemas en inglés

18 Marzo 2008

Mamarla en verso

The Platonic Blow
W. H. Auden

It was a spring day, a day for a lay, when the air
Smelled like a locker-room, a day to blow or get blown;
Returning from lunch I turned my corner and there
On a near-by stoop I saw him standing alone.

I glanced as I advanced. The clean white T-shirt outlined
A forceful torso, the light-blue denims divulged
Much. I observed the snug curves where they hugged the behind,
I watched the crotch where the cloth intriguingly bulged.

Our eyes met. I felt sick. My knees turned weak.
I couldn't move. I didn't know what to say.
In a blur I heard words, myself like a stranger speak
"Will you come to my room?" Then a husky voice, "O.K."

I produced some beer and we talked. Like a little boy
He told me his story. Present address: next door.
Half Polish, half Irish. The youngest. From Illinois.
Profession: mechanic. Name: Bud. Age: twenty-four.

He put down his glass and stretched his bare arms along
The back of my sofa. The afternoon sunlight struck
The blond hairs on the wrist near my head. His chin was strong.
His mouth sucky. I could hardly believe my luck.

And here he was sitting beside me, legs apart.
I could bear it no longer. I touched the inside of his thigh.
His reply was to move closer. I trembled, my heart
Thumped and jumped as my fingers went to his fly.

I opened a gap in the flap. I went in there.
I sought for a slit in the gripper shorts that had charge
Of the basket I asked for. I came to warm flesh then to hair.
I went on. I found what I hoped. I groped. It was large.

He responded to my fondling in a charming, disarming way:
Without a word he unbuckled his belt while I felt.
And lolled back, stretching his legs. His pants fell away.
Carefully drawing it out, I beheld what I held.

The circumcised head was a work of mastercraft
With perfectly beveled rim of unusual weight
And the friendliest red. Even relaxed, the shaft
Was of noble dimensions with the wrinkles that indicate

Singular powers of extension. For a second or two,
It lay there inert, then suddenly stirred in my hand,
Then paused as if frightened or doubtful of what to do.
And then with a violent jerk began to expand.

By soundless bounds it extended and distended, by quick
Great leaps it rose, it flushed, it rushed to its full size.
Nearly nine inches long and three inches thick,
A royal column, ineffably solemn and wise.

I tested its length and strength with a manual squeeze.
I bunched my fingers and twirled them about the knob.
I stroked it from top to bottom. I got on my knees.
I lowered my head. I opened my mouth for the job.

But he pushed me gently away. He bent down. He unlaced
His shoes. He removed his socks. Stood up. Shed
His pants altogether. Muscles in arms and waist
Rippled as he whipped his T-shirt over his head.

I scanned his tan, enjoyed the contrast of brown
Trunk against white shorts taut around small
Hips. With a dig and a wriggle he peeled them down.
I tore off my clothes. He faced me, smiling. I saw all.

The gorgeous organ stood stiffly and straightly out
With a slight flare upwards. At each beat of his heart it threw
An odd little nod my way. From the slot of the spout
Exuded a drop of transparent viscous goo.

The lair of hair was fair, the grove of a young man,
A tangle of curls and whorls, luxuriant but couth.
Except for a spur of golden hairs that fan
To the neat navel, the rest of the belly was smooth.

Well hung, slung from the fork of the muscular legs,
The firm vase of his sperm, like a bulging pear,
Cradling its handsome glands, two herculean eggs,
Swung as he came towards me, shameless, bare.

We aligned mouths. We entwined. All act was clutch,
All fact contact, the attack and the interlock
Of tongues, the charms of arms. I shook at the touch
Of his fresh flesh, I rocked at the shock of his cock.

Straddling my legs a little I inserted his divine
Person between and closed on it tight as I could.
The upright warmth of his belly lay all along mine.
Nude, glued together for a minute, we stood.

I stroked the lobes of his ears, the back of his head
And the broad shoulders. I took bold hold of the compact
Globes of his bottom. We tottered. He fell on the bed.
Lips parted, eyes closed, he lay there, ripe for the act.

Mad to be had, to be felt and smelled. My lips
Explored the adorable masculine tits. My eyes
Assessed the chest. I caressed the athletic hips
And the slim limbs. I approved the grooves of the thighs.

I hugged, I snuggled into an armpit. I sniffed
The subtle whiff of its tuft. I lapped up the taste
Of its hot hollow. My fingers began to drift
On a trek of inspection, a leisurely tour of the waist.

Downward in narrowing circles they playfully strayed.
Encroached on his privates like poachers, approached the prick,
But teasingly swerved, retreated from meeting. It betrayed
Its pleading need by a pretty imploring kick.

"Shall I rim you?" I whispered. He shifted his limbs in assent.
Turned on his side and opened his legs, let me pass
To the dark parts behind. I kissed as I went
The great thick cord that ran back from his balls to his arse.

Prying the buttocks aside, I nosed my way in
Down the shaggy slopes. I came to the puckered goal.
It was quick to my licking. He pressed his crotch to my chin.
His thighs squirmed as my tongue wormed in his hole.

His sensations yearned for consummation. He untucked
His legs and lay panting, hot as a teen-age boy.
Naked, enlarged, charged, aching to get sucked,
Clawing the sheet, all his pores open to joy.

I inspected his erection. I surveyed his parts with a stare
From scrotum level. Sighting along the underside
Of his cock, I looked through the forest of pubic hair
To the range of the chest beyond rising lofty and wide.

I admired the texture, the delicate wrinkles and the neat
Sutures of the capacious bag. I adored the grace
Of the male genitalia. I raised the delicious meat
Up to my mouth, brought the face of its hard-on to my face.

Slipping my lips round the Byzantine dome of the head,
With the tip of my tongue I caressed the sensitive groove.
He thrilled to the trill. "That's lovely!" he hoarsely said.
"Go on! Go on!" Very slowly I started to move.

Gently, intently, I slid to the massive base
Of his tower of power, paused there a moment down
In the warm moist thicket, then began to retrace
Inch by inch the smooth way to the throbbing crown.

Indwelling excitements swelled at delights to come
As I descended and ascended those thick distended walls.
I grasped his root between left forefinger and thumb
And with my right hand tickled his heavy voluminous balls.

I plunged with a rhythmical lunge steady and slow,
And at every stroke made a corkscrew roll with my tongue.
His soul reeled in the feeling. He whimpered "Oh!"
As I tongued and squeezed and rolled and tickled and swung.

Then I pressed on the spot where the groin is joined to the cock,
Slipped a finger into his arse and massaged him from inside.
The secret sluices of his juices began to unlock.
He melted into what he felt. "O Jesus!" he cried.

Waves of immeasurable pleasures mounted his member in quick
Spasms. I lay still in the notch of his crotch inhaling his sweat.
His ring convulsed round my finger. Into me, rich and thick,
His hot spunk spouted in gouts, spurted in jet after jet.

servido por lectorileso 4 comentarios compártelo favorito

4 Enero 2006

Poesía de la vida con sida

Hoy, en BOB POP: Tory Dent, poeta

servido por lectorileso 4 comentarios compártelo favorito

9 Diciembre 2005

Poesía pop: Augusto de Campos

Cuando descubrí internet, hace ya algunos años, pensé que el medio podría cambiar el espacio de la poesía, multiplicar sus posibilidades estéticas y populares. Imaginé la red como su espacio divulgador, investigué poetas visuales que se valieran de nuevos formatos digitales para ampliar horizontes.

Hoy ya sé que no. Porque Internet es cada vez menos un refugio de libertad, utopías, palabras valiosas, experimentos por amor al arte o mágicos encuentros. Ahora no es sino una representación a escala de la realidad y un refugio para la hez de la sociedad (un rápido vistazo a algunos de mis comentaristas es más que ilustrativo.)

De aquel tiempo en que buscaba poetas nuevos, hoy he recuperado a Augusto de Campos, que suena a heterónimo de Pessoa y también escribe en portugués. Me gusta mucho y no sé porqué. Tal vez porque me recuerda mi ingenuo entusiasmo inicial. Y tiene humor. Espero que lo disfrutéis.

servido por lectorileso 33 comentarios compártelo favorito

30 Septiembre 2005

'Nothing Gold Can Stay' de Robert Frost

Ayer empecé a leer "Vieja escuela", de Tobias Wolff y me fascina. Llevo apenas 30 páginas; el protagonista aún se pregunta quién podría arrebatarle el privilegio de un paseo por los jardines de su colegio con Robert Frost. Me encanta Robert Frost, y este poema suyo de título hermosísimo:

Nothing Gold Can Stay
Nature's first green is gold,
Her hardest hue to hold.
Her early leaf's a flower;
But only so an hour.
Then leaf subsides to leaf.
So Eden sank to grief,
So dawn goes down to day.
Nothing gold can stay.

Del libro de Wolff, la próxima semana, más.

servido por lectorileso 14 comentarios compártelo favorito

25 Agosto 2005

"Un poema no escrito", de W. H. Auden

Auden tituló estas reflexiones en prosa bajo el mismo título que la autobiografía de Goethe: 'Dichtung und Wahrheit' ("Poesía y verdad"); y acerca de ello - de la posibilidad de escribir Yo Te amo en un poema y que sea real, de toda la verdad que encierran los versos, bien sean épicos o amorosos - gira este delicioso texto breve, esta colección de aforismos largos magníficamente traducidos por Javier Marías.

'Expecting your arrival tomorrow, I find myself thinking I love You: then comes the thought: I should like to write a poem which would express exactly what I mean when I think these words.'

¿Poesía Ficción o No Ficción?

El bueno de Auden se cuestiona en este raro ensayo y lo convierte en ficción; porque lo es que Auden pudiera temer no ser capaz de escribir un I love You real después de haber escrito - en mi pedante opinión - uno de los poemas de amor más perfectos que conozco:

Villanelle

Time will say nothing but I told you so,
Time only knows the price we have to pay;
If I could tell you I would let you know.

If we should weep when clowns put on their show,
If we should stumble when musicians play,
Time will say nothing but I told you so.

There are no fortunes to be told, although,
Because I love you more than I can say,
If I could tell you I would let you know.

The winds must come from somewhere when they blow,
There must be reasons why the leaves decay;
Time will say nothing but I told you so.

Perhaps the roses really want to grow,
The vision seriously intends to stay;
If I could tell you I would let you know.

Suppose the lions all get up and go,
And all the brooks and soldiers run away?
Will time say nothing but I told you so?
If I could tell you I would let you know.

Tags: auden

servido por lectorileso 9 comentarios compártelo favorito

21 Abril 2005

Versos devotos

Hay algo en los poemas que algunos fans han escrito y enviado a una web dedicada a Boy George que me conmueve, pese a que algunos son - literal y literariamente - patéticos. Y sin embargo, hay algo.

Tal vez leo la soledad de sus autores, su necesidad de devoción por un modelo que represente la libertad que ellos no tienen

'His open arms are holding out
The love I never knew'

O mi propia adolescencia (cronológica y etimológica). O su sorpresa al entender el miedo que ellos mismos sienten:

'How could he say that?!'
'How could he do it?!'
The interviewer's almost scared
But then I see right through it
And you are too...
'

Pero es que además, entre todos ellos, hay uno que me gusta mucho. Que me parece un buen poema. Un gran poema pop:

Makeup compact, platform shoes
Chanel scarves, talking crude
Lipstick stains, cock addict
Painted nails, walking contradict
Mister deejay, drama queen
Rock superstar, old hasbeen?
Wicked laugh, shy and coy
Beer and semen, pretty boys
A shaved head, with devil horns
Act-up T-shirt; mock and scorn
Personal adverts in old blue jeans
Straight acting, non-scene?
Irish orphan, Michael Dunne
Love and lust, mother and son
Incurable flirt, laughter and tears
Mad about the boy, 13 years

Trish

(¿Cuál será mi siguiente reseña? ¿Una entusiasmada crónica de un directo de Chiquito de la Calzada, a quien calificaré de insigne creador de lenguaje? No os digo yo que no...)

servido por lectorileso 12 comentarios compártelo favorito

7 Abril 2005

Robert Creeley: I point to 'me' to look out at the world.

Ayer me enteré de que el pasado 30 de marzo murió Robert Creeley (ni Papa ni Príncipe; espléndido poeta) y se me fue la cabeza (a Nueva York), a una magnífica exposición que vi - hace ya muchos años - en la Gagosian Gallery con pinturas de Francesco Clemente ilustradas por poemas de Creeley.

No me gusta la pintura de Clemente pero sí mucho los poemas que inspiró a Creeley. Quizás el modo correcto de expresarlo - para evitar reproches de sus fans - es que sólo me gustan los cuadros de Clemente en versos de Creeley.

Internet es maravilloso. Y, buscando, encontré las imágenes y los poemas de Anamorphosis, esa preciosa exposición que vi en Nueva York hace muchos años, cuando era delgado. Disfrutadla.

servido por lectorileso 13 comentarios compártelo favorito

5 Abril 2005

Abril...

... ya escribió T. S. Elliot, "es el mes más cruel". Un verso que me acompañará durante los veinticinco días que quedan de este mes, en el que no debemos esperar a Manongo("No me esperen en abril", última buena novela de Alfredo Bryce Echenique).

APRIL is the cruelest month, breeding
Lilacs out of the dead land, mixing
Memory and desire, stirring
Dull roots with spring rain.
Winter kept us warm, covering
Earth in forgetful snow, feeding
A little life with dried tubers.
(...)

servido por lectorileso 3 comentarios compártelo favorito


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